Terrorist of love continues Keren Cytter’s experimental filmmaking practice that subverts cinematic tropes, layers multiple fractured narratives, and reflexively refers to the medium. Tapping into a viral strain of humor found on Tumblr and gif-sharing sites, the video is as chuckle worthy as it is contemplative. Using a fixed 4k camera, Cytter shot the video in one take, before devising an unconventional music video format in post-production using key framing, meme-like imagery, and an original soundtrack.